Seema
has the driver drop her off at her old house from when she was a child. She
spends a few minutes watching some of her own flashbacks as we see D'souza as a
younger man, Seema playing with her dollhouse, so on and so forth. Seema gets a
bit nostalgic, then turns to walk away. As she does so, a car screeches up in
front of her! Jugran's goon Balwant pops out of the door with a pistol, and
tells Seema to get in the car. Having little choice she does so, and they speed
off to Jugran's hideout. There, Seema is shocked to see the "evil" twin, and
Jugran says that he knows she's met with his stupid good brother. However, he's
got something for her that might be of interest.
He tells Seema that he knows she is seeking the man who killed her father,
and it just so happens that he knows who that is. Seema is now paying her
complete and undivided attention, and is even giving Jugran a bit of a dirty
look. She asks Jugran to name him. Jugran tells her that everything in life has
a price, and she must first do something for him before he will divulge that
information.
Seema
attempts to call his bluff. She tells him that she thinks that Jugran only knows
what was recently said at the meeting, and that's all he knows about her father.
Jugran tells her that when her father was killed he was building a dollhouse for
her. This triggers a flurry of zooms, both in the present (on Seema's face) and
in a flashback (on the dollhouse) as the orchestra has a minor seizure. Jugran
tells her that this bit of information was not revealed in the recent meeting,
so maybe he does know what he's talking about.
Seema is left nearly speechless by this revelation. She tries to stammer out
the question "how do you know all of this," but doesn't get far. Jugran
anticipates this and answers her anyway. He says that all of this was told to
him by the killer himself, and he can turn him over to Seema if she helps him
out with a little project he is working on. Seema asks Jugran what it is she
needs to do. Jugran says that he knows a man that she wants to find, and Seema
knows a man that Jugran wants to find. He summons a servant with a silver
platter, upon which rests a photo of Romeo.
Jugran
explains that there is a safe that only Romeo can open. If she can convince
Romeo to work with Jugran on the safe, then he will reveal the identity of her
father's killer. Seema asks Jugran what makes him think that she can make Romeo
do this. Jugran not so subtly implies that a pretty woman such as herself
shouldn't have to think too hard about possible techniques of persuasion. Seema
decides that for the information she needs, she's willing to give this a shot.
Back at Romeo's it's pigeon feeding time. (In a humorous note, he's named
some of them after Bollywood villains. He calls Mogambo and Gabbar by name as he
takes them out of their cage.) Romeo looks all over, but can't locate Jango. He
muses to himself that he must have gone out looking for a female pigeon to woo.
We see Jango walking along the keys of a piano. One that Seema is leaning on
writing a message for Romeo. She folds up her note and puts it into a small
locket. She tells Jango that she's going to test how good of a postman he is,
and hangs it around his neck. She then takes Jango up to the roof and tosses him
up into the air. No, we don't see how she managed to get Jango in the first
place, so don't bother asking!
Jango
does as he's expected to, and arrives at Romeo's shortly afterward. Romeo gives
him a hard time (yes, he lectures a pigeon) and notices Jango's new neckwear. He
takes the note out, and we hear it being read by Seema's voice-over. She tells
Romeo that she wants to bury the hatchet and be friends. She also says that she
knows Romeo thinks she is beautiful and dangerous. If he thinks she is more
dangerous then he should ignore this letter. However, if he thinks she is
beautiful, then he should come to her address that evening. Romeo tells Jango
there is no doubt - she's prettier than she is deadly, so he's on his way!
We cut to Seema in the shower (calm down, you don't see anything but her
head) getting ready for her potentially big night. Romeo shows up outside of her
flat, looking quite dapper in his suit. He lets himself in, and begins calling
out for her very formally.
Let the games begin.
